

- FOR SECOND ACT NNAMDI PREPARATION BYWORD HOW TO
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NEW YORK OBSERVER – “The Full List of 2021 Emmy Nominees Is Here” by Jenny Lee US WEEKLY – “Bridgerton’s Rege-Jean Page Scores Major Emmy Nomination After Announcing His Exit From the Series” by Meredith NardinoĪBC NEWS – “Hahn, Thede, other nominees react to Emmy announcement” by The Associated Press LOS ANGELES TIMES – “2021 Emmy Nods” by Staff LOS ANGELES TIMES – “Television Academy’s picks recognize the growing lineup of projects led by Black creators” by Greg Braxton His production company iAm21 recently inked a first-look deal for film and television with Amazon Studios.Īsomugha is represented by Art2Perform and CAA Leo by APA King by Gersh and Door 24 Jacinto by Alchemy Entertainment, CAA, Principals Talent Management and McKuin Frankel and Aiden and Amari Price by Pantheon and Atlas Artists. In addition to acting, Asomugha has been at the forefront of developing and producing award-winning projects including the Emmy-nominated Sylvie’s Love, Crown Heights, The Banker, Harriet and Beasts of No Nation, and the Broadway production of American Son.
FOR SECOND ACT NNAMDI PREPARATION BYWORD SERIES
Baker and Ami Werges, with Mark and Jay Duplass, Mel Eslyn, Akbar Gbaja-Biamila, Chijioke Asomugha and Rao Meka serving as executive producers.Īsomugha is an actor, Emmy-nominated producer and former NFL player who has starred in recent years in films including Sylvie’s Love, Crown Heights and Hello, My Name Is Doris, while making appearances in such series as Kroll Show and Friday Night Lights. He will next be seen opposite Jessica Chastain and Eddie Redmayne in Netflix’s The Good Nurse, an adaptation of Charles Graeber’s true-crime novel of the same name from director Tobias Lindholm. I think it was really important for us to show a level of vulnerability in men, especially Black men.Asomugha is producing under his iAm21 Productions banner, alongside Jonathan T.

What are some moments from the film you hope resonate with viewers? We felt that there was an audience for not just Black love, but love in general. But that wasn’t the film we wanted to make. So for us, the thought was, why not show that? Why not illuminate the love that we had for each other during this time period?Īnd it also was a reason some people passed on making the film because they felt like it should have been rooted in the civil rights movement. It robs us of our humanity and just an entire aspect of our lives that really helped us get through those difficult moments. We had that as a part of our culture of Black people and to not celebrate that is a crime. My father-in-law says we used to go to “the dance,” we didn’t call it the club. We were having families, getting married, going to the dance. We know about marches and protests and water hoses and dogs and struggle. We’ve been so defined by that period as Black people. It was important for us to make those elements nuanced and not in your face. We see some of those elements play out but that wasn’t the focus. But with these two Black characters and an almost entirely Black cast, the backdrop isn’t politics, it’s jazz. The film is set during the civil rights movement in America. I say “was” because I haven’t played it in a while, so I’ve lost a lot of that. And I learned that I was really good at playing the saxophone. I got a saxophone coach who was also in the film and we played for just over a year. I love the process more than anything, sometimes even more than the actual moment. I didn’t have to, but I chose to because I love preparation.
FOR SECOND ACT NNAMDI PREPARATION BYWORD HOW TO
You found your way back to an instrument.ĭid you have to learn how to play the tenor saxophone for “Sylvie’s Love”? The same preparation I need to get ready for a football game or football season, I’ve brought that to acting. I advise people all the time, get your kids into sports because sports shaped my life - from discipline and patience and hard work and falling down and needing to get back up and not complaining. I wanted to just start creating the projects so people can say, oh, OK, he does know what he’s doing.ĭo you often take lessons and experience from your football career and apply them to your acting career? I wasn’t just coming out of Yale or Juilliard. It’s an identity crisis, like, do I have any more things to look forward to in life? All the traumatic things you tell yourself. You go through this period of soul-searching when you finish doing something that you’ve done for the last 20-something years of your life. While I was still in the N.F.L., but I didn’t make the decision until probably a year after.

player when you got bit by that bug, or was this after your career?
